French composer and sound artist. Born 1986 in Japan. His current work focuses in particular on the formal consequences of analogies between the living and the artificial, aiming to develop conceptions of sonic time and space inspired by environmental models. His music creates connections between the worlds of audionaturalism (field recording, bioacoustics), spectral music, repetitive music, and electronic music.
Florent C. Darras collaborates with ensembles such as Ensemble intercontemporain, 2e2m, Court-Circuit, TM+, Ars Nova, Cairn, and Multilatérale, and internationally with the Muromachi Ensemble, Schallfeld Ensemble, and United Instruments of Lucilin. His music has been broadcast on Radio France, played on the GRM’s acousmonium, and performed at venues including the Philharmonie de Paris, Philharmonie Luxembourg, Tokyo Bunka Kaikan, St Mary Church Tokyo, Suginami Hall Tokyo, National Hall Taipei, Centre Pompidou x West Bund Museum in Shanghai, Centquatre-Paris, IRCAM’s Espace de Projection, Salle Cortot, La Seine Musicale, Arsenal de Metz, as well as at festivals such as ManiFeste (IRCAM–Centre Pompidou), Présences (Radio France), Mixtur (Barcelona), and the 2015 World Expo in Milan. In 2022, his sound installation Mersion was produced in partnership with the Centre des Monuments Nationaux. From 2022 to 2024, he is composer-in-residence at Cité musicale-Metz and the Orchestre National de Metz Grand-Est.
Florent C. Darras was trained at the Conservatoire de Paris (CNSMDP), where he received prizes in composition, music analysis, aesthetics, and improvisation. He also studied at IRCAM and at ENS-PSL, where he is completing a practice-based PhD (SACRe program).
He teaches sound art at the École Nationale Supérieure d’Arts de Paris-Cergy (ENSAPC), and at Université Catholique de l’Ouest (UCO). He is invited to give Masterclasses and lectures at Tokyo Geidai, Helsinki UniArts, CNSMDP, Académie Diotima, Conservatoires de Lyon, Montpellier, Metz.
In 2023 he receives the André Caplet music prize from the french Académie des Beaux-Arts.